www.newyorker.com website review
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www.newyorker.com is 65% geoptimaliseerd!
SEO Keyword summary for www.newyorker.com/contributors/anthony-lane
Keywords are extracted from the main content of your website and are the primary indicator of the words this page could rank for. By frequenty count we expect your focus keyword to be current
Focus keyword
Short and long tail
Short Tail Keywords current film cinema |
long Tail Keywords (2 words) 2023the current film starring current cinemaa 2024the current current cinemathe |
long Tail Keywords (3 words) 2023the current cinemathe 15 2023the current 2024the current cinemaa ruthlessness of its finchers film aspires too many clever many clever conceits |
www.newyorker.com On-Page SEO Scan
Descriptive Elements
The <head> element of a www.newyorker.com/contributors/anthony-lane page is used to inform the browser and visitors of the page about the general meta information. The head section of the page is where we place the page title, the definition of the HTML version used, the language of in which the page is written. In the head section we can also include JavaScript and CSS (markup) files for the page.
Page title
Title length
Meta description
Meta description legth
Meta description SEO
anthony lane new yorker staff writer from served film critic before coming magazine worked independent london where was appointed deputy literary editor year later sunday his reviews received national award criticism writings are collected book nobodys perfect
Content SEO
Number of Words
Spam detected?
Headings
Heading distribution
Heading normalisation
Heading SEO impact
Emphasis (bold and italic)
Emphasis SEO impact
Images
Number of images
Images dimensions
Image alt descriptions
Images SEO impact
new yorker anthony lane head shot can film star too goodlooking moral plea behind kate middletons cancer disclosure lord byron was more than just byronic philosophy pleasure taste things birthday party die ttem michael manns beguiling ferrari year moviegoing zone interest finds banality evil auschwitz grand appetites poor ridley scotts napoleon cannot quite vanquish its subject maestro leonard bernstein biopic restless priscilla presents echoing void elviss fame killer misses dramatic ambitions clash killers flower moon happiness taught anatomy fall magnificently slippery thriller haunting venice has charm ridiculous excess gran turismo work pure salesmanship destructive lusts passages how oppenheimer barbie bring monumental figures life
Mobile SEO www.newyorker.com/contributors/anthony-lane
Mobile rendering
Mobile optimizations
Responsive design detected (mobile css)
No flash detected !
Mobile improvement
Marketing / lead generation for www.newyorker.com/contributors/anthony-lane
Social Media
Facebook shares | Facebook likes | ||
Facebook comments | Tweets | ||
Google +1 |
Conversion form
Search form
Analytics
Online presence
SERP Preview
SERP Title
SERP Link
SERP Description
Domain Level SEO
Domain name
17 characters long
Domain name SEO Impact
Path name
but found in path !
Structured data
Publisher Markup
Other Structured data
Website configuration
Correct processing of non-existing pages?
Favicon icon found?
HTML request without WWW redirected correctly?
Robots.txt found?
Sitemap found?
Navigation and internal links
Navigation
Url seperator
Human readable urls
Number of links
Link SEO Impact
shop the new yorker
video
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about rss
about
careers
contact
faq
press
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account 1
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contributors more stories
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culture can a film star be too goodlooking
culture desk
the year in moviegoing
2023 in review
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magazine lord byron was more than just byronic
books
a philosophy of pleasure in the taste of things
the current cinema
a birthday party to die for in ttem
michael manns beguiling ferrari
the zone of interest finds banality in the evil of auschwitz
grand appetites and poor things
ridley scotts napoleon cannot quite vanquish its subject
maestro is a leonard bernstein biopic as restless as its subject
priscilla presents the echoing void of elviss fame
the killer misses
dramatic and moral ambitions clash in killers of the flower moon
can happiness be taught
anatomy of a fall is a magnificently slippery thriller
a haunting in venice has the charm of ridiculous excess
gran turismo is a work of pure salesmanship
the destructive lusts of passages
how oppenheimer and barbie bring monumental figures to life
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news the moral plea behind kate middletons cancer disclosure
letter from the uk
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www.newyorker.com newsletter
searchsearch
the latest
books culture
fiction poetry
humor cartoons
magazine
video
podcasts
goings on
podcasts
archive
goings on
digital access
newsletters
jigsaw puzzle
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Links to external pages
Outloing links
www.condenaststore.com
www.condenaststore.com
www.condenast.com
www.condenast.com
www.condenast.com
www.condenast.com
www.aboutads.info
www.facebook.com
www.twitter.com
www.snapchat.com
www.youtube.com
www.instagram.com
SEO Advice for www.newyorker.com
In this section we provide pointers on how you can to optimize your web page so it can be found more easily by search engines and how to make it rank higher by optimizing the content of the page itself. For each of the individual criteria the maximum score is 100%. A score below 70% is considered to be indication that the page is not complying with general SEO standards and should be evaluated and/or fixed. Not every factor is weighted the same and some are not as important as others. Relatively unimportant factors like meta keywords are not included in the overall score.
Item | Factor | Pointers | |
---|---|---|---|
PageTitle | 100% | Far too many sites lack a page title. A page title is the first thing that shows in the search results so always use the title element. | |
Title relevance | 0% | A title should reflect the contents of a site. This site has a 0 % match | |
Title Length | 10% | Limit your title to anywhere between 40 and 70 characters. Your title was 10 characters long | |
Meta Description | 100% | A meta description is the second element that shows in the search results so always use the meta description. | |
Meta description length | 50% | The meta description should be between 145 and 160 characters. This meta description is 449 characters long. | |
Meta description relevance | 25% | Meta Description should reflect the contents of a site. This site has a 14 % match | |
Number of internal links | 70% | Linking to internal pages makes pages easier to find for search engines. Try to keep the number of links on your page roughly below 100. There are 160 internal links on this page. | |
Folder structure | 100% | We found a folder structure in the links on your page. A good folder structure makes a site easier to navigate. We found 7 level 1 folders and 29 folders above or in the first level of navigation. | |
Headings | 35% | Headers should reflect the contents of a site. This site has a 15 % match | |
Links | 24% | Link anchors should to some degree reflect the contents of a site. This site has a 12 % match | |
Image alt tags | 45% | Image alt tags should to some degree reflect the contents of a site. This site has a 16 % match | |
Bold and italic | 60% | Bold and italic tags should reflect the contents of a site to some degree. This site has a 20 % match | |
Html ratio | 30% | Try to keep the html / text ratio as low as possible. More html means longer loading times. Layout should be handled in a serpate css file | |
Image descriptions | 100% | All images on this page have been described. Great job ! | |
Page errors | 100% | Pages with no errors display significantly faster on most browsers. We detected 0 errors and warnings | |
WordCount | 35% | An ideal page contains between 400 and 600 words.This page contains 1563 words | |
Server response time | 30% | A slow server slows down a website. This server responds 985.67% slower the average | |
Gzip compression | 30% | This site does not use Gzip compression. Pages may not display as fast as they could | |
Keywords in Domainname | 100% | There are important keywords in your domain name | |
Keywords in domain path | 100% | There are important keywords in the domain path | |
Structured Data | 100% | Structured data makes it easier for search engines to index your website | |
Inline css | 96% | Do not use inline css declarations. Inline css will slow down the rendering of the website. We detected 1 inline style declarations ( <a style="color:green">) with a size of 30 bytes | |
Excessive use of the same words | 100% | There is no indication that there are one or more keywords that are used excessively. | |
Frames or iframes | 20% | The use of (i)frames can lead to problems crawling your page. Wij found 1 frame(s) on your page | |
Flash | 100% | Perfect, we detected no flash objects on your page | |
Css | 100% | Perfect, we did not detect too many CSS files | |
Javascript | 30% | Wij detected too much (16) blocking JavaScript files. Try to combine or defer the loading of JavaScript files | |
Mobile Website | 100% | Perfect, we found a responsive design for mobile users | |
Most important heading | 100% | Perfect, we detected a correct use of the most important (h1) heading! | |
Normalized headings | 100% | Perfect, we found a correct use of normalized headings ! |
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www.newyorker.com images and descriptions
24 images found at www.newyorker.com Images can improve the user experience for a website by making a pag visually appealing Images can also add extra keyword relevance to a webpage by using alt tags. Images can also slow down a website. If the width and height for a picture is not specified for a browser know in advance how large the image is. A browser must first load the picture and see before it knows how much space should be on the page. Upon reservation In the meantime, the browser can do little but wait. When the height and width for the plate are given in the HTML code, a browser just continues to build for a page while the images load in the background.
http://www.newyorker.com/verso/static/the-new-yorker/assets/logo.svg height: height attribute not set width: width attribute not set description: the new yorker |
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http://www.newyorker.com/verso/static/the-new-yorker/assets/logo-header.svg height: height attribute not set width: width attribute not set description: the new yorker |
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https://media.newyorker.com/photos/65fdfc12f9f25c5de44ca57f/4:3/w_1024%2cc_limit/lane-middleton-cancer-announcement.jpg height: height attribute not set width: width attribute not set description: the moral plea behind kate middleton’s cancer disclosure |
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https://media.newyorker.com/photos/65822562756c377c68e52231/4:3/w_1024%2cc_limit/240101_r43574.jpg height: height attribute not set width: width attribute not set description: michael mann’s beguiling “ferrari” |
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https://media.newyorker.com/photos/6578e5fd86d15967c672397a/4:3/w_1024%2cc_limit/movies_final_02.jpg height: height attribute not set width: width attribute not set description: the year in moviegoing |
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https://media.newyorker.com/photos/6570fdc3dd57862e344f7c22/4:3/w_1024%2cc_limit/231218_r43534.jpg height: height attribute not set width: width attribute not set description: “the zone of interest” finds banality in the evil of auschwitz |
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https://media.newyorker.com/photos/6569232616ed75bf672f7ab9/4:3/w_1024%2cc_limit/231211_r43495.jpg height: height attribute not set width: width attribute not set description: grand appetites and “poor things” |
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https://media.newyorker.com/photos/655ce8307d0a7b79423cd80e/4:3/w_1024%2cc_limit/231204_r43461.jpg height: height attribute not set width: width attribute not set description: ridley scott’s “napoleon” cannot quite vanquish its subject |
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https://media.newyorker.com/photos/6542a734e609e828dea7171e/4:3/w_1024%2cc_limit/231113_r43354web-site.jpg height: height attribute not set width: width attribute not set description: “priscilla” presents the echoing void of elvis’s fame |
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https://media.newyorker.com/photos/653a82aff925b1d500f53340/4:3/w_1024%2cc_limit/231106_r43289.jpg height: height attribute not set width: width attribute not set description: “the killer” misses |
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https://media.newyorker.com/photos/65270976c259c2065944ab9e/4:3/w_1024%2cc_limit/231023_r43200web.jpg height: height attribute not set width: width attribute not set description: can happiness be taught? |
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https://media.newyorker.com/photos/65244a0332f374ed1fda23e3/4:3/w_1024%2cc_limit/231016_r43177_rd2.jpg height: height attribute not set width: width attribute not set description: “anatomy of a fall” is a magnificently slippery thriller |
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https://media.newyorker.com/photos/65032ad1e8cb5056481b283f/4:3/w_1024%2cc_limit/230925_r42990.jpg height: height attribute not set width: width attribute not set description: “a haunting in venice” has the charm of ridiculous excess |
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https://media.newyorker.com/photos/64de51ed6fc77c5d2e5d32fa/4:3/w_1024%2cc_limit/230828_r42853web-story.gif height: height attribute not set width: width attribute not set description: “gran turismo” is a work of pure salesmanship |
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https://media.newyorker.com/photos/64cab66c7a7e243bdeb49a7f/4:3/w_1024%2cc_limit/230814_r42787.jpg height: height attribute not set width: width attribute not set description: the destructive lusts of “passages” |
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https://media.newyorker.com/photos/64b86ce27a7e243bdeb47c36/4:3/w_1024%2cc_limit/230731_r42703_rd.jpg height: height attribute not set width: width attribute not set description: how “oppenheimer” and “barbie” bring monumental figures to life |
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http://www.newyorker.com/verso/static/the-new-yorker/assets/logo-reverse.svg height: height attribute not set width: width attribute not set description: the new yorker |
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